Fungus on Fallen Alder at Lookout Creek

Florid, fluted, flowery petal, flounce
of a girl’s dress, ruffled fan,
striped in what seems to my simple eye
an excess of extravagance,
intricately ribboned like a secret
code, a colorist’s vision of DNA.
At the outermost edge a scallop
of ivory, then a tweedy russet,
then mouse gray, a crescent
of celadon velvet, a streak of sleek seal brown,
a dark arc of copper, then butter,
then celadon again, again butter, again
copper and on into the center, striped thinner
and thinner to the green, green moss-furry heart.
How can this be necessary?
Yet it grows and is making more
of itself, dozens and dozens of tiny starts, stars
no bigger than a baby’s thumbnail,
all of them sucking one young dead tree
on a gravel bank that will be washed away
in the next flooding winter. But isn’t the air here
cool and wet and almost unbearably sweet?

-Ellen Bass

A Little Bit

It’s a little bit
true that the
hole in my jacket
pocket
the breast pocket
yeah all relaxed
has a hole &
pens keep
slipping through
one’s in the lining
but this one
perched
now it’s a writing
bird
silly black out there
wants to
tell its
song. Miguel’s
book was
in the air &
I was on
a train
my feet are cold
and you wouldn’t
be in the
air so
long it doesn’t happen
like this
there’s no climate
in a plane
and I was in one
but not on
earth
my mother
is gone
each thing I do
is a little
bit wrong. I’m willing
to apologize
but they never
help it’s
just pointing
out the hole
& people
forget but I
won’t forget
you

-Eileen Myles

Thursday

Because the most difficult part about making something, also the best,
Is existing in the middle,
Sustaining an act of radical imagination,
I simmered a broth: onion, lemon, a big handful of mint.

The phone rang. So with my left
Hand I answered it,
Sautéing the rice, then adding the broth
Slowly, one ladle at a time, with my right. What’s up?

The miracle of risotto, it’s easy to miss, is the moment when the husks        dissolve,
Each grain of rice releasing its tiny explosion of starch.

If you take it off the heat just then, let it sit
While you shave the parmesan into paper-thin curls,
It will be perfectly creamy,
But will still have a bite.

There will be dishes to do,
The moon will rise,
And everyone you love will be safe.

-James Longenbach

Wind

it’s true sometimes I cannot
stop myself from spilling
              the recycling

unpetalling apple blossoms raiding
a picnic
making off with napkins I’m nothing
              until I happen
flipping an umbrella outside-in
                      throwing its owner
              into a fumble
pelting the avenue with sleet or dust

at times downtown
              riding over galleries of air
so full of high excitement howling
I borrow an old woman’s hat
              and fling it into the road

arriving with news of the larkspur
              and the bumblebee
at times embracing you so lightly
in ways you don’t even register
              as touch

-James Arthur

Mistake

For years I have seen
dead animals on the highway

and grieved for them
only to realize they are

not dead animals
they are t shirts

or bits of blown tire
and I have found

myself with this
excess of grief

I have made with
no object to let

it spill over and
I have not known

where to put it or
keep it and then today

I thought I know
I can give it to you

-Heather Christle

Saudade

means nostalgia, I’m told, but also
nostalgia for what never was. Isn’t it
the same thing? At a café
in Rio flies wreathe my glass.

How you would have loved this: the waiter
sweating his knit shirt dark. Children
loping, in tiny suits or long shorts, dragging
toys and towels to the beach. We talk,

or I talk, and imagine your answer, the heat clouding our view.
Here, again, grief fashioned in its cruelest translation:
my imagined you is all I have left of you.

-John Freeman

Sleep: Part 2

I took a mid-afternoon nap
in only my socks. 
Upright in the kitchen.
Sneaky sleep,
like a shark, 
caught me quick in it's grip. 

And the kettle is whimpering
for relief, my hand to rest
on it's neck.

But the mosquito
in my ear. 
Stealing my
unconscious,
sucked the blood
from my toes,
making it
impossible
to stand.
 

 

To die in a rabbit's rotting teeth. Happy.

Je Veux Dormir Avec Toi

-Joyce Mansour

Ed Templeton; Wires Crossed

Ed Templeton; Wires Crossed

Je veux dormir avec toi coude à coude
Cheveux entremêlés
Sexes noués
Avec ta bouche comme oreiller.
Je veux dormir avec toi dos à dos
Sans haleine pour nous séparer
Sans mots pour nous distraire
Sans yeux pour nous mentir
Sans vêtements.
Je veux dormir avec toi sein contre sein
Crispée et en sueur
Brillant de mille frissons
Mangée par l’inertie folle de l’extase
Ecartelée sur ton ombre
Martelée par ta langue
Pour mourir entre les dents cariées de lapin
Heureuse.

I want to sleep with you side by side
Our hair intertwined
Our sexes joined
With your mouth for a pillow.
I want to sleep with you back to back
With no breath to part us
No words to distract us
No eyes to lie to us
With no clothes on.
To sleep with you breast to breast
Tense and sweating
Shining with a thousand quivers
Consumed by ecstatic mad inertia
Stretched out on your shadow
Hammered by your tongue
To die in a rabbit's rotting teeth
Happy.

Ed Templeton

Ed Templeton

“What, of this Goldfish, Would You Wish?”

by Etgar Keret

(the ending)

“You killed him, Sergei,” the goldfish says. “You murdered someone—but you’re not a murderer.” The goldfish stops swishing his tail. “If, on this, you won’t waste a wish, then tell me, Sergei, what is it good for?”

It was in Bethlehem, actually, that Yonatan found his Arab, a handsome man who used his first wish for peace. His name was Munir; he was fat with a big white mustache. Superphotogenic. It was moving, the way he said it. Perfect, the way in which Munir wished his wish. Yoni knew even as he was filming that this guy would be his promo for sure.

Either him or that Russian. The one with the faded tattoos that Yoni had met in Jaffa. The one that looked straight into the camera and said, if he ever found a talking goldfish he wouldn’t ask of it a single thing. He’d just stick it on a shelf in a big glass jar and talk to him all day, it didn’t matter about what. Maybe sports, maybe politics, whatever a goldfish was interested in chatting about.

Anything, the Russian said, not to be alone

 

And the moon

And the moon
 
is very sleepy,
moving round,
taking more
from Time.  
I suppose
it doesn't mind
the talking
over head
as it’s very
sleepy,
yawning
and rubbing
its eyes.
 
And a tree
resting among
bright flower-beds,
cool fountains
is asleep,
fast asleep
in front of
a house.
I suppose
it doesn't mind.
 
And the moon
over its head
and memory
are very sleepy,
moving round,
taking more
from Time.
Sleep can’t
make it stop. 

And the moon
moving round,
can’t pinch it to
make it stop.
 
It’s extraordinary,
Time,
how it keeps
moving
round
It’s very
easy to waste.

-found poetry from Alice in Wonderland, "The Tea Party"